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  It's cold here, Jessica thought. He had been talking about the refrigerator.

  "Guys." Bontrager pointed behind the refrigerator. "There's something back here."

  "What is it?" Jessica asked.

  "No idea." He turned to Byrne. "Give me a hand."

  They got on either side of the hulking appliance. When the fridge was a few feet from the wall, Jessica stepped behind it. Years of dust and grunge coated the area where the compressor once was.

  In its place was a book of some sort; chunky, with a black cover, no dust jacket. Watermarks dotted the linen finish. Jessica put on a latex glove, gently retrieved the book. It was a hardbound edition of The New Oxford Bible.

  Jessica checked the front and back of the book. No inscriptions or writing of any kind. She checked the bottom edge. A red ribbon marked a page, splitting the book in half. She carefully lifted the ribbon. The book fell open.

  The Book of Jeremiah.

  "Ah, shit," Byrne said. "What the fuck is this?"

  Jessica squinted at the first page of the Book of Jeremiah. The print was so small she could barely see it. She fished her glasses from her pocket, put them on.

  "Josh?" she asked. "You know anything about this part of the Old Testament?"

  Joshua Bontrager was the unit's go-to guy for most things Christian.

  "A little," he said. "Jeremiah was kind of a doom and gloom fella. Predicted the destruction of Judah, and all. I remember hearing some of his writings quoted."

  "For instance?"

  " 'The heart is deceitful above all things and beyond cure.' That was one of his biggies. There are a lot of translations of that passage, but that's one of the more popular ones. Nice outlook, huh?"

  "He wrote about the heart?" Jessica asked.

  "Among other things."

  Jessica flipped a page, then another, then another. At Chapter 41, the page had a series of marks on it-three small squares drawn with different pens, yellow, blue, and red. It appeared that one word was highlighted, along with two sets of two numbers each.

  The highlighted word was Shiloh. Beneath it, along the left hand side of the columns, were two numbers, forty-five and fourteen.

  Jessica flipped carefully through the Book of Jeremiah, and glanced through the rest of the Bible. There were no other bookmarked pages, or highlighted words or numbers.

  She looked at Byrne. "This mean anything to you?"

  Byrne shook his head. Jessica could already see his wheels turning.

  "Josh?"

  Bontrager looked closely at the Bible, eyes scanning the page. "No. Sorry." He looked a little sheepish. "Don't tell my dad, but I haven't picked up the Good Book in a while."

  "Let's run this by Documents," Jessica said. "We were supposed to find this, yes?"

  "Yes," Byrne echoed. He sounded none too happy about it.

  Jessica kind of wanted an argument about this point. Byrne didn't offer one. Neither did Josh Bontrager. This was not good news.

  An hour later, with the scene secured by CSU, they headed back to the Roundhouse. The morning's events-the possibility of an arrest in the murder of Caitlin O'Riordan and the discovery of a human heart in a weed-choked vacant lot in the Badlands-circled one another like blood-bloated flies in the haze of a blistering Philadelphia summer afternoon, all underscored by an ancient name and two cryptic numbers.

  Shiloh. Forty-five. Fourteen.

  What was the message? Jessica thought hard on it.

  She had a dark feeling there would be others.

  FOUR

  TWO MONTHS EARLIER

  Eve Galvez knew what the therapist was going to say before he said it. She always did.

  How did it make you feel?

  "How did it make you feel?" he asked.

  He was younger than the others. Better dressed, better looking. And he knew it. Dark hair, a little too long, curling over his collar; eyes a soft, compassionate caramel brown. He wore a black blazer, charcoal slacks, just the right amount of aftershave for daytime. Something Italian, she thought. Expensive. Vain men had never impressed Eve Galvez. In her line of work, she couldn't afford the flutters. In her line of work she couldn't afford a misstep of any kind. She pegged him at forty-four. She was good with ages, too.

  "It made me feel bad," Eve said.

  "Bad is not a feeling." He had an accent that suggested the Main Line, but not by birth. "What I'm talking about is emotion," he added. "What emotion did the incident evoke?"

  "Okay, then," Eve said, playing the game. "I felt… angry."

  "Better," he replied. "Angry at whom?"

  "Angry at myself for getting into a situation like that in the first place. Angry at the world."

  She had gone to Old City one night, after work, alone. Looking. Again. At thirty-one she was one of the older women in the club, but with her dark hair and eyes, her Pilates-toned body, she attracted her share of advances. Still, in the end, the crowd was too loud, too raucous. She gave the bar her two-drink minimum, then stepped into the night. Later in the evening she stopped by the Omni Hotel Bar, and made the mistake of letting the wrong man buy her a drink. Again. The conversation had been boring, the night dragged. She had excused herself, telling him that she had to go to the ladies' room.

  When she walked out of the hotel a few minutes later, she found him waiting on the street. He followed her up Fourth Street for almost three blocks, closing the distance little by little, moving from shadow to shadow.

  As luck would have it-and luck was something that played a very small role in Eve Galvez's life-at the moment the man got close enough to lay a hand on her, a police car was trolling slowly by. Eve flagged the officers down. They sent the man packing, but not without a scuffle.

  It had been close, and Eve hated herself for it. She was smarter than this. Or so she wanted to believe.

  But now she was in her therapist's office, and he was pushing her.

  "What do you think he wanted?" he asked.

  Pause. "He wanted to fuck."

  The word resonated, finding all four corners of the small room. It always did in polite company.

  "How do you know that?"

  Eve smiled. Not the smile she used for business, or the one she used with friends and colleagues, or even the one she used on the street. This was the other smile. "Women know these things."

  "All women?"

  "Yes."

  "Young and old?"

  "And every one in-between."

  "I see," he said.

  Eve glanced around the room. The office was a gentrified trinity on Wharton Street, between Twelfth and Thirteenth. The first floor was three small rooms, including a cramped anteroom with bleached maple floors, a working fireplace, brass accoutrements. The smoked-glass end tables were populated with recent issues of Psychology Today, In Style, People. Two French doors led to a converted bedroom that served as the office, an office decorated in a faux-Euro style.

  In her time on the couch Eve had met all the Pams-clonazepam, diazepam, lorazepam, flurazepam. None helped. Pain-the kind of pain that begins where your childhood comes to a deadening halt-would not be salved. In the end, when night became morning, you stepped out of the shadows, ready or not.

  "I'm sorry," she said. "I apologize for my crude language. It's not very becoming."

  He didn't chastise or excuse her. She hadn't expected him to. Instead, he glanced down at his lap, studied her chart, flipped a few pages. It was all there. It was one of the downsides to belonging to a healthcare system that logged every appointment, every prescription, every physical therapy session, every X-ray-ache, pain, complaint, theory, treatment.

  If she had learned anything it was that there were two groups of people you couldn't con. Your doctor and your banker. Both knew the real balance.

  "Have you been thinking about Graciella?" he asked.

  Eve tried to maintain her focus, her emotions. She put her head back for a few moments, fighting tears, then felt the liquid warmth traverse her cheek to her chin, o
nto her neck, then on to the fabric of the wing chair. She wondered how many tears had rolled onto this chair, how many sorrowful rivers had flowed through its ticking. "No," she lied.

  He put down his pen. "Tell me about the dream."

  Eve plucked a few tissues from the box, dabbed her eyes. As she did this she covertly glanced at her watch. Wall clocks were scarce in a shrink's office. They were at minute forty-eight of a fifty-minute session. Her doctor wanted to continue. On his dime.

  What was this about? Eve wondered. Shrinks never went over the time limit. There was always someone scheduled next, some teenager with an eating disorder, some frigid housewife, some jack-off artist who rode SEPTA looking for little girls in pleated plaid, some OCD who had to circle his house seven times every morning before work just to see if he had left the gas on or had remembered to comb his area-rug fringe a few hundred times.

  "Eve?" he repeated. "The dream?"

  It wasn't a dream-she knew that, and he knew that. It was a nightmare, a lurid waking horror show that unspooled every night, every noon, every morning, dead center in her mind, her life.

  "What do you want to know about it?" she asked, stalling. She felt sick to her stomach.

  "I want to hear it all," he said. "Tell me about the dream. Tell me about Mr. Ludo."

  Eve Galvez looked at the outfit on her bed. Collectively, the jeans, cotton blazer, T-shirt, and Nikes represented one-fifth of her wardrobe. She traveled light these days, even though she was once addicted to clothes. And shoes. Back in the day her mailbox had been thick with fashion magazines, her closet impenetrable with suits, blazers, sweaters, blouses, skirts, coats, jeans, slacks, vests, jackets, dresses. Now there was room in her closet for all of her skeletons. And they needed plenty of room.

  In addition to her handful of outfits, Eve had one piece of jewelry she cared about, a bracelet she wore only at night. It was one of the few material things she cherished.

  This was her fifth apartment in two years, a spare, drafty, three- room affair in Northeast Philadelphia. She had one table, one chair, one bed, one dresser, no paintings or posters on the walls. Although she had a job, a duty, a litany of responsibilities to other people, she sometimes felt like a nomad, a woman unfettered by the shackles of urban life.

  Exhibit Number One: in the kitchen, four boxes of Kraft Macaroni amp; Cheese that expired two years earlier. Every time she opened the cupboard she was reminded that she was relocating with food she would never eat.

  In the shower she thought about her session with the shrink. She had told him about the dream-not all of it, she would never tell anybody all of it-but certainly more than she had intended. She wondered why. He was not any more insightful than the others, did not have a special sense that raised him above all of his colleagues in his field.

  And yet she had gone further than she ever had.

  Maybe she was making progress. She walks up a dark street. It is three o'clock in the morning. Eve knows precisely what time it is because she had glanced up the avenue-a dream-street that had no name or number-and saw the clock in the tower at City Hall.

  After a few blocks, the street grows gloomier, even more featureless and long-shadowed, like a vast, silent de Chirico painting. There are abandoned stores on either side of the street, shuttered diners that somehow have customers still at the counters, ice-covered in time, coffee cups poised halfway to their lips.

  She comes to an intersection. A streetlight blinks red on all four sides. She sees a doll sitting in a fiddleback chair. It wears a ragged pink dress, soiled at the hem. It has dirty knees and elbows.

  Suddenly, Eve knows who she is, and what she has done. The doll is hers. It is a Crissy doll, her favorite when she was a child. She has run away from home. She has come to the city without any money or any plan.

  A shadow dances across the wall to her left. She turns to look, and sees a man approaching, fast. He moves as a gust of blistering wind, carved of smoke and moonlight.

  He is now behind her. She knows what he did to the others. She knows what he is going to do to her.

  "Venga aqui!" comes the booming voice from behind, inches from her ear.

  The fear, the sickness, blossoms inside her. She knows the familiar voice, and it forms a dark tornado in her heart. "Venga, Eve! Ahora!"

  She closes her eyes. The man spins her around, begins to violently shake her. He pushes her to the ground, but she does not hit the steaming asphalt. Instead she falls through it, tumbling through space, head over heels, freefall, the lights of the city a mad kaleidoscope in her mind.

  She crashes through a ceiling onto a filthy mattress. For a few blessed moments the world is silent. Soon she catches her breath, hears the sound of a young girl singing a familiar song in the next room. It is a Spanish lullaby, "A La Nanita Nana."

  Seconds later, the door slams open. A bright orange light washes the room. An earsplitting siren rages through her head.

  And the real nightmare begins. Eve stepped out of the shower, toweled off, walked into her bedroom, opened the closet, took out the aluminum case. Inside, secured against the egg-crate foam lining, were four firearms. All the weapons were perfectly maintained, fully loaded. She selected a Glock 17, which she carried in a Chek-Mate security holster on her right hip, along with a Beretta 21, which she wore in an Apache ankle rig.

  She slipped into her outfit, buttoned her blazer, checked herself in the full-length mirror. She proclaimed herself ready. Just after 1 AM, she stepped into the hall.

  Eve Galvez turned to look at her nearly empty apartment, a rush of icy melancholy overtaking her heart. She had once had so much.

  She closed the door, locked the deadbolt, walked down the hallway. A few moments later she crossed the lobby, pushed through the glass doors, and stepped into the warm Philadelphia night.

  For the last time.

  FIVE

  The Forensic Science Center, commonly referred to as the crime lab, was located at Eighth and Poplar streets, just a few blocks from the Roundhouse. The 40,000-square-foot facility was responsible for analysis of all physical evidence collected by the PPD during the course of an investigation. In its various divisions, it performed analysis in three major categories: trace evidence, such as paint, fibers, or gunshot residue; biological evidence, including blood, semen, and hair; and miscellaneous evidence, such as fingerprints, documents, and footwear impressions.

  The Philadelphia Police Department's Criminalistics Unit maintained itself as a full-service facility, able to perform a wide variety of testing procedures.

  Sergeant Helmut Rohmer was the reigning king of the document section. In his early thirties, Rohmer was a giant, standing about six- four, weighing in at 250 pounds, most of it muscle. He had short- cropped hair, dyed so blond it was almost white. On both arms were an elaborate web of tattoos-many of them a variation on red roses, white roses, and the name Rose. Vegetation and petals snaked around his huge biceps. At PPD functions-especially the Police Athletic League gatherings. Helmut Rohmer was big on PAL-no one had ever seen him with a person named Rose or Rosie or Rosemary, so the subject was scrupulously avoided. His standard outfit was black jeans, Doc Martens, and sleeveless black sweatshirts. Unless he had to go to court. Then it was a shiny, narrow-lapelled, navy-blue suit from around the time when REO Speedwagon dotted the charts.

  No pocket protectors or dingy lab coats here-Helmut Rohmer looked like a roadie for Metallica, or a Frank Miller rendering of a Hell's Angel. But when the sergeant spoke, he sounded like Johnny Mathis. He insisted you call him Hell, even going so far as signing his internal memos "From Hell." No one dared argue or object.

  "This is a fairly common edition of the New Oxford," Hell said. "It's available everywhere. I have the same edition at home." The book sat on the gleaming stainless table, opened to the copyright page. "This particular publication was printed in the early seventies, but you can find it in just about any used-book store in the country, including college bookstores, Half Price Books, everywhere."
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  "Is there any way to trace where it may have been purchased?" Jessica asked.

  "I'm afraid not."

  The book's cover had been dusted for prints. None were found. It would take a lot longer, and prove far more difficult, to check the pages themselves, seeing as there were more than fifteen hundred of them.

  "What do you make of the Shiloh message?" Jessica asked.

  Hell placed an index finger to his lips. Jessica noticed for the first time that his fingernails were well-manicured, their clear polish reflecting the overhead fluorescents in straight silvery lines. "Well, I ran Shiloh through the databases and the search engines. Nothing significant in the databases, but I did get hits on Google and Yahoo, of course. Lots of them. As in tons and tons."

  "Such as?" Jessica asked.

  "Well, a lot of them had to do with that 1996 kid's movie. It had Rod Steiger in it, and the guy who was in In Cold Blood. What was his name?"

  "Robert Blake?" Jessica asked.

  "No. The other guy in the movie. The light-haired guy. The con man who bounces the check for the suit." "Scott Wilson," Byrne said. "Right."

  Jessica glanced at Byrne, but he refused to look at her. It was a matter of pop-culture principle, she figured. Sometimes Kevin Byrne's knowledge astounded her. On a bar bet, he once rattled off the entire discography of The Eagles, and Kevin Byrne didn't even care too much for The Eagles. He was a Thin Lizzy, Corrs, Van Morrison man-not to mention his near-slavish devotion to old blues. On the other hand, she'd once caught him singing the first verse of "La Vie en Rose" at a crime scene. In French. Kevin Byrne did not speak French.

  "Anyway," Hell said. "This Shiloh movie was a little schmaltzy, but it was still kind of cute. Beagle-in-jeopardy type thing. We just rented it a few months ago. Scratchy DVD, froze up a few times. Drives me frickin' nuts when that happens. Gotta go Blu-ray and soon. But my daughter loved it."