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The Devil's Garden
The Devil's Garden Read online
Table of Contents
Cover
Copyright
Also by Richard Montanari
Acknowledgements
Prologue
The Devil’s Garden
Part One
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Part Two
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Chapter Seventeen
Chapter Eighteen
Chapter Nineteen
Chapter Twenty
Chapter Twenty-one
Chapter Twenty-two
Chapter Twenty-three
Chapter Twenty-four
Chapter Twenty-five
Chapter Twenty-six
Chapter Twenty-seven
Chapter Twenty-eight
Chapter Twenty-nine
Chapter Thirty
Chapter Thirty-one
Chapter Thirty-two
Chapter Thirty-three
Chapter Thirty-four
Chapter Thirty-five
Chapter Thirty-six
Part Three
Chapter Thirty-seven
Chapter Thirty-eight
Chapter Thirty-nine
Chapter Forty
Chapter Forty-one
Chapter Forty-two
Chapter Forty-three
Chapter Forty-four
Chapter Forty-five
Chapter Forty-six
Chapter Forty-seven
Chapter Forty-eight
Chapter Forty-nine
Chapter Fifty
Chapter Fifty-one
Chapter Fifty-two
Chapter Fifty-three
Chapter Fifty-four
Chapter Fifty-five
Chapter Fifty-six
Chapter Fifty-seven
Chapter Fifty-eight
Chapter Fifty-nine
Epilogue
This eBook is copyright material and must not be copied, reproduced, transferred, distributed, leased, licensed or publicly performed or used in any way except as specifically permitted in writing by the publishers, as allowed under the terms and conditions under which it was purchased or as strictly permitted by applicable copyright law. Any unauthorised distribution or use of this text may be a direct infringement of the author’s and publisher’s rights and those responsible may be liable in law accordingly.
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Epub ISBN 9781409065135
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Published by William Heinemann 2009
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Copyright © Richard Montanari 2009
Richard Montanari has asserted his right under the Copyright, Designs
and Patents Act 1988 to be identified as the author of this work.
This book is a work of fiction. Names and characters are the product of the author’s imagination and any resemblance to actual persons, living or dead, is entirely coincidental.
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First published in Great Britain in 2009 by
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ALSO BY RICHARD MONTANARI
Deviant Way
The Violet Hour
Kiss of Evil
The Rosary Girls
The Skin Gods
Broken Angels
Play Dead
The Devil does not always wear boots – he sometimes comes barefoot.
–Estonian proverb
ACKNOWLEDGMENTS
I would like to thank Meg Ruley, Peggy Gordijn, Jane Berkey, Christina Hogrebe, Don Cleary, and everyone on the front line at the Jane Rotrosen Agency; thanks to Kate Elton, Jason Arthur, Susan Sandon, Rob Waddington, Trish Slattery, Oli Malcolm, Jay Cochrane, Louisa Gibbs, Emma Finnigan, Lucy Beaumont, Claire Round, Chrissy Schwartz, and all at Random House UK; thanks to Darin Brannon and Tiina Fischgrund; and a special thanks to Robert Masters, Esq. of the Queens County District Attorney’s Office, and Detective Rick Torelli, NYPD. As always, grazie mille di cuore, Pop.
PROLOGUE
NORTH-EASTERN ESTONIA – MARCH 2005
Elena Keskküla knew they would come at midnight, bathed in the blood of ancients, just as she had known so many things in her fifteen years. As the ennustaja of her village – a fortuneteller and mystic whose readings were sought by believers from as far away as Tallinn and St Petersburg – she had always been able to glimpse the future. At seven she saw her family’s small potato farm overrun by vermin. At ten she saw Jaak Lind lying in a field in Nalchik, the blackened flesh of his palms fused around the face of St Christopher. At twelve she foretold the floods that washed away much of her village, saw the peat bogs choked with dead livestock, the bright parasols adrift on rivers of mud. In her brief time she had seen the patience of evil men, the heartbreak of motherless children, the souls of all around her laid bare with shame, with guilt, with desire. For Elena Keskküla the present had always been past.
What she had not seen, what had been denied the terrible blessing of her second sight, was the torment of bringing lives into this world, the depth to which she loved these children she would never know, the grief of such loss.
And the blood.
So much blood . . .
HE CAME TO HER BED on a warm July evening, nearly nine months earlier, a night when the perfume of rue flowers filled the valley, and the Narva River ran silent. She wanted to fight him, but she had known it would be futile. He was tall and powerful, with large hands and a lean, muscular body marked with the tattoos of the villainous vennaskond. Drug lord, usurer, extortionist, thief, he moved like a wraith in the night, ruling the towns and villages of Ida-Viru County with a ruthlessness unknown even during Soviet occupation.
His name was Aleksander Savisaar.
Elena had first seen him when she was a child, standing in the place of the gray wolf. She knew then that he would come to her, enter her, although she was far too young at the time to know what it meant.
At morning he stole away as quietly as he had come. Elena knew he had left his seed in her, and that he would one day return to reap what he had sown.
Over the many months that followed, Elena saw
his eyes every waking moment, felt his warm breath on her face, the cruel power of his touch. Some nights, when the air was still, she heard the music. Those who whispered of him said on these nights Aleksander Savisaar would sit on Saber Hill overlooking the village, and play his flute, his long fair hair blown back by the Baltic winds. They said he was quite learned in Mussorgsky and Tchaikovsky. Elena did not know of these things. What she did know was that many times, when his song soared over the valley, the lives within her stirred.
ON A LATE WINTER MIDNIGHT the babies came, two of them perfect girls, one stillborn, each wrapped in a thin veil, the true sign of the second sight.
For Elena, consciousness came and left. In her fever dream she saw a man – a Finn by his dress and manner and accent, a man with fog-white hair – standing at the foot of the bed. She saw her father bargain with this man, take his money. Moments later, the Finn left with the newborns, both children swaddled in a black woolen tekk against the cold. On the floor, near the fireplace, he left a third bundle, bloodied rags in a lifeless pile. Her maternal instincts battling her dread, Elena tried to rise from the bed, but found she could not move. She wept until her tears ran dry. She wept for the terrible knowledge that these babies, the progeny of Aleksander Savisaar, were gone. Sold in the night like so much chattel.
And hell would be known.
SHE SENSED HIM BEFORE she saw him. At dawn he filled the doorway, his shoulders spanning the jambs, his aura scarlet with rage.
Elena closed her eyes. The future raced through her like a furious river. She saw the severed heads on the gateposts at the road that led to the farm, the charred and battered skulls of her father and brother. She saw their bodies piled in the barn.
AS MORNING CRESTED THE hills to the east, Aleksander Savisaar dragged Elena outside, the blood between her legs leaving a ragged red streak in the snow. He placed her against the majestic spruce behind the house, the tree around which Elena and her brother Andres had wrapped ribbons each winter solstice since they were children.
He kissed her once, then drew his knife. The blue steel shimmered in the morning light. He smelled of vodka, venison, and new leather.
“They are mine, soothsayer, and I will find them,” he whispered. “No matter how long it takes.” He brought the edge of his razor-sharp blade to her throat. “They are my tütred, and with them I will be immortal.”
In this moment Elena Keskküla had a powerful vision. In it she saw another man, a good man who would raise her precious daughters as his own, a man who had stood in death’s garden and lived, a man who would one day, in a field of blood far away, face the devil himself.
PART ONE
ONE
EDEN FALLS, NEW YORK – FOUR YEARS LATER
On the day Michael Roman realized he would live forever, five years after the last day of his life, his entire world went pink. A pastel pink at that: pink tablecloths, pink chairs, pink flowers, pink crepe banners, even a huge pink umbrella festooned in smiling pink bunnies. There were pink cups and plates, pink forks and napkins, a plate piled high with frosted pink cupcakes.
The only thing keeping the property from a listing with Candy Land Realty was the small patch of green grass barely visible beneath the maze of aluminum folding tables and plastic chairs, grass that would surely never be the same.
Then there was that other vision of green. Departing green. The money.
How much was all this costing again?
As Michael stood behind the house, he thought about the first time he had seen it, and how perfect it seemed.
The house was a three bedroom brick colonial, with buff-colored shutters and matching pilasters, set far back from the winding road. Even for the suburbs, it was isolated, perched atop a slight hill, embraced by a stand of sycamores, shielded from both the road and neighbors by a waist-high hedgerow. Behind the house was a two-car garage, a gardening shed, a wide yard with a latticework trellis. The lot gave quickly to the woods, sloping down to meet a meandering creek, which ran toward the Hudson River. At night it became eerily silent. For Michael, having grown up in the city, the change was hard to take. At first the isolation had gotten to him; Abby too, although she would never admit it. The nearest houses were about a quarter-mile in either direction. The foliage was thick, and in summer it felt like living in a giant green cocoon. Twice over the past year, when the power had gone out in a storm, Michael felt as if he was on the moon. Since that time he had stocked up on batteries, candles, canned goods, even a pair of kerosene heaters. They could probably survive a week in the Yukon if they needed to.
“The clown will be here at one.”
Michael turned to see his wife crossing the yard, carrying a plateful of pink frosted cookies. She wore tight white jeans and a powder blue Roar Lion Roar Columbia University T-shirt, along with a pair of drugstore flip flop sandals. Somehow she still managed to look like Grace Kelly.
“Your brother’s coming?” Michael asked.
“Be nice.”
Abigail Reed Roman, thirty-one, was four years younger than her husband. Unlike Michael’s working-class childhood, she had grown up on an estate in Pound Ridge, the daughter of a world-renowned cardiac surgeon. Where Michael’s patience seemed at times to be nonexistent – his temper usually hovered at a constant 211 degrees Fahrenheit, often rising – his wife ran on an even keel. Until she was cornered. Then there were rodents in Calcutta that bowed to her ferocity. Nearly a decade as an emergency room nurse at New York Downtown Hospital will do that to you; ten years of crack heads, PCP heads, exploded lives, torn people, and broken souls.
But that was another life.
“Did you frost the cake?” Abby asked.
Shit, Michael thought. He had forgotten all about it, which was unlike him. Not only did he do most of the cooking in his small family, he was the go-to guy for all things baked. His Bienensticke had been known to make grown men weep. “I’m on it.”
While jogging back to the house, dodging pink Mylar balloons, Michael thought about this day. Since moving from the city a year earlier, they had not had that many parties. When Michael was small, his parents’ tiny apartment in Queens seemed constantly filled with friends and neighbors and relatives, along with customers from the family’s bakery, a symphony of Eastern European and Baltic languages floating over the fire escape and onto the streets of Astoria. Even in the past few years, since his meteoric rise through the district attorney’s office, he and Abby found themselves hosting at least a handful of cocktail or dinner parties for well-selected political guests every year.
Here in the suburbs, though, things had slowed down, almost to a halt. Everything seemed to revolve around the girls. Although it might not have been the best career move, Michael found he didn’t want it any other way. The day the girls came into their lives, everything changed.
Standing in the kitchen, ten minutes later, the cake frosted and decorated, Michael heard four little feet approach, stop.
“How do we look, Daddy?”
Michael spun around. When he saw his twin four-year-old daughters standing there, hand in hand, dressed in their matching white dresses – with pink ribbons, of course – his heart soared.
Charlotte and Emily. The two halves of his heart.
Maybe he would live forever.
BY NOON THE PARTY was in full cacophonous swing. Eden Falls was a small town in Crane County, near the banks of the Hudson River, about fifty miles from New York City. Situated north of Westchester County – and therefore further from Manhattan, and therefore more affordable to young families – it seemed to boast an inordinate number of children under the age of ten.
To Michael it looked like every one of them had been invited. He wondered: How many friends can four-year-old girls have, anyway? They weren’t even in school yet. Did they have their own Facebook pages? Were they Twittering? Socially networking at Chuck E Cheese?
Michael surveyed the partyscape. In all there were about twenty kids and matching moms, all in some version of J.
Crew, Banana Republic, or Eddie Bauer motif. The kids were a constant buzz. The moms were all standing around, cellphones at the ready, chatting softly, sipping herbal tea and raspberry acai.
At twelve-thirty Michael brought out the cake. Amid the oohhs and ahhhhs, his daughters looked concerned about something, little brows creased. Michael put the huge cake on one of the tables, got down to their level.
“Does it look good?” he asked.
The girls nodded in union.
“We were wondering something, though,” Emily said.
“What, honey?”
“Is this organic cake?”
Coming from a four year old, the word sounded Chinese. “Organic?”
“Yes,” Charlotte said. “We need organic cake. And guten-free. Is this guten-free?”
Michael glanced at Abby. “Have they been watching the Food Network again?”
“Worse,” Abby said. “They’ve been making me Tivo reruns of Healthy Appetite with Ellie Krieger.”
Michael soon realized an answer was required. He looked at the ground, the sky, the trees, again at his wife, where he found no shelter. “Well, okay, I would say this cake has guten-free properties.”
Charlotte and Emily gave him the fish-eye.
“What I mean is,” he continued, reaching into his lawyer’s bag of tricks. “It has guten-absent characteristics.”
The girls glanced at each other, in that way that twins have, a secret knowledge passing between them. “It’s okay,” Charlotte finally said. “You make good birthday cake.”
“Thanks, ladies,” Michael said, enormously relieved, and also a little disbelieving, considering that this was only the third cake he had made them, and found it hard to believe they remembered the first two.
As Michael prepared to cut the cake, he saw the moms whispering to each other. They were all looking toward the side of the house, fluffing hair, straightening clothes, smoothing cheeks. To Michael, it could only mean one thing. Tommy had arrived.
Thomas Christiano was one of Michael’s oldest friends, a man with whom Michael had, in the gaudy plumage of youth, closed every bar in Queens, and not a few in Manhattan; the only man who had ever seen Michael cry, and that was the night Michael and Abby brought Charlotte and Emily home. To this day Michael claimed it was pollen. Tommy knew better.